COLLECTIONS SLIDESHOW
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CELESTIAL GLOBE
SCI0021
Celestial globe, engraved with a full set of constellation figures and the position of some 1024 stars, made by Muhammad ibn Mahmud al-Tabari. The globe is cast in two halves, and the star positions marked in silver inlay. A 5-line signature, situated near the south pole of the instrument states, somewhat inaccurately, that it was based on the illustrations in the 10th century astronomer, al-Sufi’s Book of the Fixed Stars (Kitab suwar al-kawakib al-thabitah) adapted to take account of the 200-year lapse of time and rectifying errors of placement and spelling and that the maker had written the identifications of the various constellations of the Zodiac, fixed stars, lunar mansions, and of some non-Zodiacal constellations as well.Iran dated AH 684 (AD 1285-6), making this the sixth earliest surviving globe
diameter: 13.4cm -
TWO VASES
JAP912
Attributed to Kawade ShibataroNagoya circa 1910
height 34.5 cm -
TIMEPIECE
FR315
Signed, by Maison Vever, workmaster's mark DC, the enamels monogrammed, by Claudius PopelinParis circa 1889
31.3 × 11.8 × 11.8 cm -
CHAMFRON WITH CHEEK-PIECES
MTW0995
Chamfron (armour for a horse's face) and cheek-pieces. The steel chamfron is set decorated with silver-gilt appliqués and set with jade, carnelian, agate and coloured glass. These materials are characteristic of the decorative armour of parade horses and camels in the Ottoman periodOttoman Turkey or Egypt 18th century
54.5 x 74 cm -
VASE
JAP526
Signed Dai Nihon shippo kaisha NagoyaExhibited: Tokyo 1877 circa 1877
height 49.7 cm -
VASE
P013
Porcelain painted in underglaze blue
Signed Makuzu Kozan sei (made by Makuzu Kozan)Made by the Miyagawa Kozan Workshop About 1900-10
Height 42.5 cm -
HOOKAH BOWL
ISL275
UnsignedIran, Qajar dynasty 19th century
7.2 × 7.9 cm -
JONAH AND THE WHALE
MSS0727 fol 59a
Jonah and the whale, from the Khalili portion of the Jami' al-Tawarikh ('Compendium of Chronicles' or - as it is sometimes known - 'The World History') of the Ilkhanid vizier Rashid al-Din. This is the earliest surviving Arabic copy of the celebrated text. It survives in two portions, one in the Khalili Collection, the other in the University Library, Edinburgh. The Khalili portion contains sections on the Prophet Muhammad and the early Caliphate; the Chinese emperors India; and the history of tTabriz early 13th century AD
45 x 43 x 47.5cm -
MINIATURE OF A STILL LIFE
FR860
Signed, by Philippe ParpetteSèvres dated 1779
15.8 × 13.7 cm -
FLORAL CARPET
TXT0191
Safavid wool pile carpet with an all-over pattern of flowers and leavesperhaps Kirman 17th century AD
591 x 244cm -
VASE
M58
Silver, with shakudo and gold; the body and cover both embellished with cloisonné enamel worked in gold wire
Marked Ozeki sei [made by Ozeki]Produced by the Ozeki Company About 1885
Height 44 cm -
FOLDING BACKGAMMON BOARD
LAQ0284
Lacquer-painted folding backgammon board, attributed to the court painter Muhammad Hasan. opaque watercolour and varnish on wood. The playing surface is made of three hinged wooden boards with lobed feet, which fold up and interlock to form a rectangular box when the board is closed. The principal decoration is on the cruciform area separating the four ‘tables’. Framed by elaborate borders, it consists of medallions of various shapes, four of them enclosing couples in European dress, one a couple in Iranian dress and one a woman nursing a child. At the centre is a rich bouquet of flowers. The only known dated portrait by Muhammad Hasan, who worked principally in oils, is a miniature of Fath‘ali Shah enthroned of 1234 AH (1818-19 AD).early 19th century
69 x 45cm x 11.2 cm (open) -
EVENING BAG
IT737
Engraved signature, by Aloisia RucellaiFlorence circa 1968
13.9 × 19 × 5.1 cm -
CHARGER
GER883
Unmarkedcirca 1870
diameter 55.3 cm, height 7.6 cm -
CASKET
GER440
Unmarked, by Reinhold VastersAachen 1870-90
49.4 × 39.3 × 39.3 cm -
COMBINED TIMEPIECE AND PHOTOGRAPH FRAME
FAB859
Maker's mark Carl Fabergé, workmaster's mark Mikhail Perkhin, assaymaster Yakov Lyapunov, 88 zolotniksSt Petersburg 1899-1903
12.5 × 24 cm -
FRAME
FAB747
Maker's mark Carl Fabergé, workmaster's mark Mikhail Perkhin, assaymaster Yakov Lyapunov, 56 zolotniksSt Petersburg 1899-1903
7.8 × 10.3 cm -
SURTOUT de TABLE
FR432
Granite, gilt and patinated bronze, champlevé and plique à jour enamel, moulded glass, ceramic and ivory centrepiece Stamped Lalique, engraved CardeilhacParis circa 1903
24.5 × 82 × 62 cm; lights 38 × 44 × 42 cm -
PORTRAIT MINIATURE OF THE QAJAR RULER, FATH'ALI SHAH
JLY1231
Enamelled gold miniature portrait of the Qajar ruler Fath 'Ali Shah, signed by the royal painter Baqir, who worked in enamels as well as lacquer. Compared to life-sized portraits of him, this miniature depicts Fath‘ali Shah as markedly fuller-faced and with a much shorter beard, but his continuous eyebrows - in Qajar art, a mark of male, as well as female, beauty - are immediately recognisable. Instead of the Kayanid crown he invented, he wears a tall astrakhan hat decorated with an aigrette in the form of an early 17th-century Mughal turban pin, doubtless booty from the Mughal treasury in Delhi.Iran Early 19th century AD
6.2 x 4.4cm -
CALLIGRAPHIC WORKS
CAL0154
Calligraphic composition in gold on a tobacco leaf, with the basmalah ('In the name of God, Most Gracious, Most Merciful') written in thulth script.Undated
14.3 x 11.5cm -
PART 29 OF A 30-PART QUR'AN
QUR0974 fol 1 det
Illuminated frontispiece with ornamental script, from a 30-part Qur'an. This is an early specimen of a type of Qur’anic manuscript with its roots in eastern Iran, produced by the Huihui, or Chinese Muslims, under the Ming and Qing dynasties.Khanbaliq (Beijing) dated 1401
24.5 x 17.5cm -
PAIR OF COVERED BOWLS WITH STANDS
CH521
UnsignedChina, Qing dynasty circa 1730-40
covered bowl height 13 cm; stand diameter 14.3 cm -
THRONE TABLE
CH648
Six-character seal mark Da Qing Qianlong nianzhi [Made in the Qianlong period of the Qing dynasty]Guangzhou (Canton) 1736-95
37 × 90.5 × 42 cm -
INCENSE BURNER OR POMANDER IN THE FORM OF A LYNX
MTW1525
This lynx seems to be pawing the ground, as if about to jump up and catch its prey on the wing, as is the habit of lynxes. The lines at the eyes indicate that the animal is smiling. The impracticality of using the tail as a handle and the inconvenience of replenishing the incense when it was full of hot coals make it more probable that this vessel was a pomander, filled with a paste of ambergris and spices to scent the air, and only requiring occasional refilling.Iran late 12th - early 13th century
27 x 27 x 8.7 cm -
SECTION FROM A CHASUBLE
TXT0129
silk lampas with silver thread on a silk foundation. A chasuble is a long sleeveless outer vestment worn by a priest when celebrating Mass. The lattice pattern is formed by pairs of split palmettes with cloud tendrils, which neatly engage the spear-like points of the medallions that fill the interstices. The medallions are edged with blue florets and filled with slender blossoms.Bursa 16th century AD
135 x 66cm -
NOVELTY SCENT SPRAY
SW054
Unmarked, attributed to Mouliné, Bautte & Co. or Moulinié & BautteGeneva circa 1805
11 × 5.5 × 1.4 cm -
LARGE KOVSH
RUS024
Maker's mark Carl Fabergé (with Imperial warrant) over-stamping workmaster's mark Feodor Rückert 91 zolotniks; inventory number 22714Moscow 1899-1908
29.8 × 38.3 × 24 cm -
TEXTILE WITH PALMETTES IN LOTUS MEDALLIONS
TXT0229
Ilkhanid silk brocade with palmette trellis design. tabby, with supplementary weft, gold thread on strips of leather or parchment, originally on a coral-red ground.Mamluk Egypt or Ilkhanid Iran 13th century AD
42.5 x 43cm -
WINE CISTERN
GER498
P. Bruckmann & SöhneHeilbronn circa 1896
107.5 × 73.5 × 78 cm -
SNUFF BOX
SW646
Maker's mark Bautte & Moynier, engraved Bautte & Moynier a Geneve [sic]Geneva 1821-26
2.6 × 6.3 × 4.9 cm -
QUR'AN
QUR0950 det
Detail of an illuminated page from part 7 of a 30-part Mamluk Qur'anprobably Cairo 14th century
16 x 16cm (detail shown) -
CORSAGE ORNAMENT
FR919
Engraved LaliqueParis circa 1903-05
4.5 × 21 cm -
CHARGER
AUS326
Maker's mark Hermann RatzersdorferVienna after 1886
diameter 50 cm -
CALLIGRAPHIC WORKS
CAL0165
Calligraphic composition in red on a horse chestnut leaf, with a Qur'anic verse in thulth script. The text, part of verse 64 from surah Yusuf (xii), reads: 'But God is the best to take care [of him], and He is the Most Merciful of those who show mercy!Ottoman Turkey 19th century
length 24.5cm -
TIMEPIECE
FAB111
Maker’s mark Carl Fabergé, workmaster’s mark Hjalmar Armfelt assaymaster Jakov Lyapunov, 88 zolotniks; inventory number 12737St Petersburg 1904
20 × 14.2 × 14.3 cm -
PAIR OF EARRINGS WITH PENDANT CHAINS
JLY1725
Pair of Fatimid granulated gold filigree crescent earrings (shown front and back).Egypat or Syria 10th or11th century AD
4.1 x 3.1cm (each) -
MOSQUE LAMP
GLS0572
Mosque lamp with gilded and enamelled decoration, including blazons of the Mamluk Sultan Barquq and a Qur'anic verse (the opening part of ayat al-nur, or 'Verse of Light'). the Lamp enclosed in Glass’. This is broken by three roundels with the heraldic blazon of Sultan Barquq, the Circassian usurper of the Bahri Mamluk dynasty in 784 AH (1382 AD), in the form of an inscription. The body bears a slightly more elaborate version of the same inscription in bold script.Egypt 15th century AD
height: 33cm; max diameter: 25cm -
VANITY CASE
AM681
Engraved Cartier NY, numbered (?) 649New York circa 1920
7.5 × 5.3 × 1.3 cm; suspension band 9.5 cm -
KHIZR AND ELIAS DISCOVERING THE WATER OF LIFE, WATCHED BY ALEXANDER
MSS0979 fol 9b
A Selection of paintings from the Khalili Falnamah ('Book of Divination'); Khizr and Ilias discovering the water of life, watched by Alexander ('The Great')Deccan (Golconda) circa 1610 - 30
folios: 41 x 28.4cm; paintings: 30.3 x 21cm -
VASE
FR482
Unsigned, by Camille Fauré; retailer's label 'A. Guerre - Dijon'Limoges circa 1930
height 30.3 cm -
BOWL WITH INSCRIPTION
POT0850
Earthenware bowl with slip-painted decoration including an inscription in foliated Kufic script, 'Generosity is the disposition of the dwellers of Paradise.'Eastern Iran, Nishapur 10th century
diameter: 25.6cm -
A GIRL WITH AN INDIAN HEADDRESS
MSS1000.2
Young woman with Indian headdress, signed by the painter Mu'in Musavvir, from a copy of Firdawsi's Shahnamah.Isfahan dated 1648
20.5 x 10cm (within gold rules) -
DISH
POT1649
Safavid dish, painted in cobalt blue and black under a transparent glaze. The Buddhist lion in reserve on a ground of dense foliage and cloud scrolls is characteristic of the Chinese Kraakporselein exported for the European market. The cavetto bears a Persian quatrain incised in black slip advising the owner to be content with the worldly goods he has.Iran late 17th century AD
6.5 x 33 cm (diameter) -
TURBAN CROWN
JLY1071
diamonds, natural pearls, foiled rubies (genuine and synthetic) and emeralds, green glass; gold, enamelled gold and silver mounts, gold thread and silver strips; core of wood or papier-mâché covered with maroon velvet The combination of turban and crown symbolised the bond between religious and secular leadership in the Muslim world, especially on the Indian sub-continent, where the Mughal emperors and their princely vassals boasted of a long tradition of jewelled turbans. The present crown is similar to that worn by Sir Jang Bahadur, prime minister and commander-in-chief of Nepal from 1856 to 1877, and to others subsequently worn by the ruling family of the kingdom.Kathmandu 19th century AD
18 x 23 x 24cm -
CASKET
GER189
Engraved Paul Telge, enamels signed with initials, by Ernst BastanierBerlin dated 1897
10 × 36.2 × 29 cm -
PAIR OF VASES
FR650
Signed, by Ferdinand BarbedienneParis circa 1872
height 140 cm -
SPOON
MXD0253
Jade spoon, carved in the shape of a rolled lotus leaf. The superb design and delicacy of the carving illustrate the virtuosity of the master lapidaries of the Shah Jahan period (r1628-57). The bowl and stem are carved from a single jade block, and the finial from a separate piece. The perceptible bend in the handle is in fact a skilful means of reinforcing what would otherwise have been an extremely fragile object.Mughal India Mid 17th century AD
14.8 cm (length) -
TWO WANDERING DERVISHES
MSS0619
Two wandering dervishes. Probably the most striking feature of this large-format study, a version of a Chinese genre painting of the Yuan period showing Buddhist holy men (lohans), is the gold jewellery worn by the two figures, including earrings, a torque, belts, anklets and even an archer’s thumb-ring. It contrasts strikingly with their homely apparel and footwear, which, like their shaven heads and branded ritual markings, suggest spiritual poverty and identify them as wandering dervishes (qalandars).most probably Tabriz later 15th century AD
48.6 x 37.5cm -
EMERALD CIRCULAR BOX
JLY1857
This spectacular box is made of no fewer than 103 emeralds set in the 16 slightly convex rectangular panels of the walls and the 16 curving triangular panels that make up the lid. An identical cypress is carved on each panel. The apex bears a diamond with 24 visible facets. The underside of the box is engraved with a many-petalled lotus in translucent emerald-green enamel. Similar boxes made of various precious materials appear in Indian miniatures from the early 17th century on. They could have been for medicines (including opium, a Mughal panacea) or to hold even more precious objects, such as uncut diamonds. PMCMughal India circa 1635
4 x 5cm -
COINS - MUGHAL
AST0009
Sagitarius; gold muhur, from Jahangir's zodiac seriesAgra ah 1032; regnal year 17
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